‘The Part’ 6th Anniversary

Today marks the 6^th Anniversary of Principal Photography on The Part.

The Part is a ‘Nother Brother Entertainment production Written and Directed by Dankwa Brooks.

Synopsis: Aisha is apprehensive, not ashamed, of revealing her new acting part to her family. Her father doesn’t make matters better by putting her on the spot to reveal it at a family cookout at their house. 

As I approach my next film Hymnal I’m thinking a lot about this film. Like all artist I’m critical of my own work and I feel like I can see every mistake I made. LOL. But like the late great one said

I’m proud of the film, but I wish we had spent MORE time shooting it.

We shot it in a half a day and that was with a HUGE cast. Most of the cast only had a few lines, but it still was a lot to coordinate and cover. I wanted the main characters reveal to be at an event that was both public and private. A family gathering. I also wrote the film at a location I knew I could have full access to, the home of my uncle and aunt, Jerome and Gwen.  We shot in front of, inside and behind their house in the backyard. We made FULL use of the set. LOL

On the day of shooting I was expecting WAY more extras in friends and family, but by the time they all showed up we had wrapped. As I stated in the post "The Part"-World Premiere

"I expected this film to be finished a long time ago, but because of the yearly revolution of the Earth around the Sun and the tilt of the Earth's axis relative to the plane of revolution we had to halt production. In other words the seasons changed and we couldn't shoot additional shots for the cookout anymore. LOL.

We finally had additional shooting (called pick up shots) during the spring and summer 2009." 

I recount a lot of what went on on this blog. I created this blog for the burgeoning filmmakers to read about the progress of the film. A sort of “war journal”.

After we finally completely the film I had a catered a Private Screening for family, cast and crew. It was great to see everyone back together again and it was a great night. We went in to have several public screenings of the film and I eventually put it on YouTube for the cast and crew.

I’ve learned and shot SO MUCH stuff since shooting this film six years ago and I’m finally ready to shoot the next one!

I’m still friends and keep in contact with most of the cast and crew and lo these years later I still THANK THEM for all of their work and participation.

You can read about the cast and crew of The Part here on this blog or on IMDb.

You can read our previous “Takes” on Principal Photography

Principal Photography-Take 1-The Definition
Principal Photography-Take 2-You Can’t Mess With My Crew
Principal Photography-Take 3-You Still Can’t Mess With My Crew
Principal Photography-Take 4-And in Conclusion

Additional Links—

Any cast and crew of this film please connect with us on LinkedIn here

Read about our next film Hymnal on Twitter here

Connect with 'Nother Brother Entertainment on our social networks

View our blog at: http://notherbrother.blogspot.com/
Like us on FACEBOOK

Follow us on TWITTER

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'The Part' is on YouTube [VIDEO]

Quiet as it's been kept The Part is on YouTube. You can watch the entire short film below and below that watch the outtakes from the film where you can tell we had a lot of fun on the set.

The Part is a short film shot in Randallstown, Maryland

Synopsis: Aisha is apprehensive, not ashamed, of revealing her new acting part to her family. Her father doesn’t make matters better by putting her on the spot to reveal it at a family cookout at their house.

Without further adieu...

 

Meet the music artists of The Part: What's the Score Part 3

We had some great independent music artist contribute songs to The Part. If you are interested in some great music PLEASE check out their web pages and SUPPORT these independent artists. They don’t have songs on heavy rotation on your local radio YET, but they make some great music and worth checking out. How do you do that? Read on.

The main theme of The Part is Only Believe by Stephen Cooper. I was looking for something mellow to open the film and Stephen came up with the perfect theme to not only open the film to compliment the main character.

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We also had Big City Lady by Kimia “ChynaDoll” Collins (pictured above). Big City Lady is featured during the cookout scene in the film and it really sets the scene for a great cookout vibe.

Check out her pages!

MYSPACE
FACEBOOK

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From Rubberband we had FunkRockJam for a scene later in the film and serves as a theme for the father in the film.

Check them out on iTunes!

iTunes

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Finally we had Wonderful which is just that a wonderful song by Reina Williams (pictured above) featuring Only. It is the first full song you hear in the film and it really kicks up the pace after the mellow beginning.

Check out her pages!
WEBSITE: http://reinawilliams.com/

ReverbNation
MYSPACE
FACEBOOK

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Click HERE

Related posts:

What's the Score? [1]

Keeping Score: What's Score - Part 2

Tech Check

Last night I went to that hot new restaurant Tech and the check was like WOW! How much was that crab cake? …ok that was my attempt (ill attempt?) at humor.

Last night Gino (the EIC) and I did a tech check at the Rotunda Theater. A technical check or "tech check" is when a filmmaker goes to the theater to see their film projected on the screen to see that it looks AND sounds right. The Part and our “Special Secret Film” looked and sounded right. Thank God.

Below are some pics I took with my cell phone. Bootleg? Well it’s not really bootleg since it’s photos right? Ok say it’s bootleg, I think I’m allowed to bootleg my own film right?

Anyway, below are the pics, they may be dark, but IT IS footage from the film (If you look real hard you can see the little green exit signs to the left and right of the screen).

I have included captions describing some of what the footage in the photos is, but the best way to find out exactly what the footage it is is to SEE the film. You can read about where to do that right here. Shameless self promotion? On this level of independent film there is no such thing…SEE THE PART! LOL.

You can see a bigger version of the slideshow here

The Part-Press Release

FOR IMMEDIATE RELEASE:

‘Nother Brother Entertainment presents “The Part”

Baltimore, Maryland-November 23, 2009 - The Part, a Dankwa Brooks film, is a short film shot in Randallstown, Maryland.

Aisha is apprehensive, not ashamed, of revealing her new acting part to her family. Her father doesn’t make matters better by putting her on the spot to reveal it at a family cookout at their house.

Written in December 2007, The Part has its World Premiere December 15, 2009 at the Rotunda Cinematheque in Baltimore, Maryland.

With the majority of the story set at a cookout, The Part was shot in August 2008 with additional shooting (called pick up shots) during the spring and summer 2009. The cast and crew had a chance to see the film last October at a Private Screening and now the general public gets its chance.

The World Premiere will feature our film The Part as well as outtakes and bloopers. We will also be showing our film Making History with a bonus Special Secret Screening of one of our films.

The Part is listed on IMDb, the Internet Movie Database and we also created a blog Part Blog, Part News detailing much of the process it took to make the film.

‘Nother Brother Entertainment, LLC is an independent film production company in Baltimore, Maryland formed by multi-award winning writer and filmmaker Dankwa Brooks.

For screeners or to arrange an interview with Dankwa Brooks please contact:

Dankwa Brooks
Phone: 443-817-0757
Email: Dankwa@NotherBrother.com

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"The Part"-World Premiere

Aisha is apprehensive, not ashamed, of revealing her new acting part to her family. Her father doesn’t make matters better by putting her on the spot to reveal it at a family cookout at their house.

Written in December 2007, The Part finally has its World Premiere December 15, 2009 at the Rotunda Cinematheque (pictured below) in Baltimore.

With the majority of the story set at a cookout, The Part was shot in August 2008.

I expected this film to be finished a long time ago, but because of the yearly revolution of the Earth around the Sun and the tilt of the Earth's axis relative to the plane of revolution we had to halt production. In other words the seasons changed and we couldn't shoot additional shots for the cookout anymore. LOL.

We finally had additional shooting (called pick up shots) during the spring and summer 2009. The cast and crew had a chance to see the film last October at a Private Screening and now the WORLD gets its chance.

Now that we got the shots we needed it’s YOUR chance to see it. Tickets are available ONLINE at

The theater’s exact address is:

Rotunda Cinematheque
711 W 40th St
Baltimore, MD 21211-2120
(410) 235-5554
Get directions

Please come out and support the film…independent film…our film. Thank you.

Dankwa Brooks

Writer, Director and anything else you can think of for The Part

Keeping Score: What's the Score Part 2

More than a year ago I spoke of adding music to The Part in my blog entry What's the score?  I am happy to say that I found some great music for the film, but it was a long road.

I scoured the Internet for royalty free music for the film, but couldn’t find anything that fit. I then reached out to some local Independent music artists that I knew and FINALLY found what I was looking for. It was a tough process, let me explain (and you knew I would).

The Part is a “family drama” and while it’s about love, the music I found was the wrong kind of love. Every song I heard was about falling in love, falling out of love, or making love. All great concepts, but the scenes in The Part had nothing to do with any of those matters.

After I found some music, my Music Supervisor (you can read more about what that is in the blog entry here) had to listen to it and see if it fit in the film and then I negotiated the rights.

We also came across some great songs that just didn’t fit in the film. This is a short film and I really didn’t want it wall-to-wall music. It isn’t a Michael Jackson short film after all.(R.I.P. MJ)

I’m happy to say that we finally did find the music and I would like to showcase the artists who contributed.

The first person that graciously allowed us to use their music was superbly talented Reina Williams.

The next person was the singer extraordinaire Kimia "Chyna Doll" Collins.

We also included a song from our man of many talents Gino’s (the EIC) band Rubberband.

The last person we secured music from also worked on the film Stephen Cooper. In between shots Stephen remarked to me that he was a musician. I told him we were still looking for music and feel free to submit some. He did and we picked one of his songs.

NEXT I will include all of their available info and how you can listen and buy some of their music.

Related posts:

What's the Score? [1]

Meet the music artists of The Part: What's the Score Part 3

 

"The Part" Screening

Written in December 2007, The Part finally has its first public screening November 13, 2009. With the majority of the story set at a cookout, The Part was shot in August 2008 with additional shooting (called pick up shots) during the spring and summer 2009. The cast and crew had a chance to see the film last month at a Private Screening and now the general public gets its chance.

At CAmm Shorts, CAmm (Creative Alliance Movie Makers) presents its night of short films by local filmmakers. 'Nother Brother Entertainment's "The Part" by Dankwa Brooks will be featured among films by Travis Mays, Ryan Thomas, Michael Kimball, Hunter Nesbitt, Matthew Hahn and Linda Franklin. Q & A with filmmakers follows the films.

We are working on another public screening of The Part to feature our other films as well as outtakes and bloopers from The Part for hopefully early December.

The Part will screen
Friday, November 13, 2009
at the Creative Alliance at The Patterson.

*You can go to their website for ticket info and to read more information here

Remember you can ALWAYS read the latest information about The Part on our website
NotherBrother.com

There will be more screenings to come so STAY TUNED! and thanks for reading.

Tag!

Tagline that is. We now have a tagline and a new poster to boot. Both were supplied by our very talented AD (Assistant Director) Jack Sherman.

I've been trying to think of a tagline since I wrote this script, but Jack is the one who came up with what I thought summed it up succinctly. The tagline is below followed by the newest poster.

What if everyone wanted to hear,

what you weren't ready to say?

Previous blog entry about the previous posters The Second, our First

The Part on the Net

I am happy to announce that we have been selected to receive an IMDb Title Page for our film "The Part." The Internet Movie Database (IMDb) is an online database of information related to movies, actors, television shows, production crew personnel, featured in visual entertainment media. The IMDb website consists of one of the largest accumulation of data about films, television programs, etc. reaching back to each medium's respective beginning.

This means that everyone involved in our production will gain exposure on the most recognized and trafficked movie site in the world - with 57 million unique visitors a month.

There isn’t much on the page yet, but like this blog it will grow as time goes on. Updates have already been submitted and will have to go through the IMDb data managers for verification. In the meantime, enjoy our new Title Page. As IMDb put it "It's the best way to continue to promote and immortalize the work [we] have done."

You can go to our Title Page by clicking the IMDb logo below

The Second, our First

Waaay back this time last year, I wrote The Part. Soon after I designed a simple poster to help me actualize my script. I didn’t have a cast to feature in the poster so I had to come up with a concept that would fit the story and since the story involved an acting job, what better way to represent it than by showing a script and this is that poster.

So that was our first and below is our second, but it’s also the first. Confused? Bear with me there is a method to my madness. So how can our second be our first? This is our second poster, but the FIRST to feature our cast. Our man of many talents Gino designed the poster with the photos I picked. There will probably be more posters to come, but this is the first with our great cast.

Director's Cut-Edit 5: Our Transition Team

FROM THE OFFICE OF
THE PRESIDENT OF
'NOTHER BROTHER ENTERTAINMENT

Last Sunday, November 16, 2008, we started filming some of our transitions. In editing we saw that we needed some stuff to help transition from one scene to another. We even had some actors come back to film new stuff. What exactly was that stuff? We’re hoping you won’t be able to tell until we tell you. The point of going back and filming additional material and scenes is to make it look like it was all filmed together and we hope we accomplished that. So who was on our “transition team”? Me and the Second Unit Director.

Gino’s been promoted yall. He’s now not only the editor (or EIC) he’s also now the Second Unit Director and Music Supervisor.

The job of Music Supervisor is both creative and logistic; music supervisors select music and negotiate usage licenses. Music supervisors play diverse roles in the creative process of films, helping to emphasize storylines, emotion, time period and cultural location. Gino will help me select the music and I'll negotiate usage licenses. I wanted Gino to be Music Supervisor because he’s a musician and has his own rock band (shout out to Rubberband. That’s him on bass to the right.). As a musician he has an ear for music and knows about keys and chords whereas I just know what sounds good.

As far as his other new title, a vital task for the second unit is to shoot inserts and B-roll (supplemental or alternate footage). Sometimes, and as it is THIS time, the editor will take charge of a second unit to film B-roll or inserts as he will know what footage he is missing. Gino could have easily have been my DP (Director of Photography) because he has a great eye for filming too.

Like myself Gino is an artist and a man of many talents, I guess that's why we get along so well. His artistry in music and eye for visual art is what makes him an excellent editor. Anyone can pick up an instrument, but it takes an artist to make it sound good.

Principal Photography-Take 4-And in Conclusion

We finished shooting around 5:30PM. I let the crew go around 5 o’clock and shot the last bit of footage with Andrea myself. I didn’t actually get home until about 9PM so that made it a FIFTEEN-hour workday for me. Imagine if we had more than a one-day shoot?

I’m going to digress here for a moment. Fifteen plus hour days on a film shoot are typical because it is hard work. That’s why no matter how crappy I think a film is I still have props for the filmmakers because whatever the result, it took a lot of work, time and effort to produce it.

Back to the production, how do I remember such details? Ever since I was a child I had the uncanny ability for total recall. I can remember everything I experience to the last detail. Well not really, but that sounded good right? :p The answer is cell phone! They can record your whole life can’t they? I just checked the times I made the phone calls that day and approximated the times. I’m not a magician so I can reveal my secrets. LOL.

I have to give props again to my uncle and aunt for letting our little production take over their home…and their street. We had to stop traffic momentarily while we were filming our scenes in front of their house. Don’t worry, after we shot each take, we let the cars go through. Each individual take wasn’t that long and the neighbors were very courteous. We shot in front of their house, in their house and in back of their house (deck, backyard). We even stopped my uncle from entering his own house while we were filming in his kitchen. Thanks again Uncle Rommie and Aunt Gwen and thank you for being so gracious.

Previous “Takes” on Principal Photography

Principal Photography-Take 1-The Definition

Principal Photography-Take 2-You Can’t Mess With My Crew

Principal Photography-Take 3-You Still Can’t Mess With My Crew

Principal Photography-Take 3-You Still Can’t Mess With My Crew

I have to say what an AWESOME job the whole crew did. I received so many great compliments about how well we worked together. I’m also so proud to have had an all African American cast an astounding SIXTEEN actors as well as a mostly African American crew. Our goal at ‘Nother Brother Entertainment is not only to further propagate diverse images through development of films, but to also give work to African Americans behind the scenes also.

I have to give props to my man Jack who absolutely kept our production on track. I truly could not have done it without him.

Props to the Director of Photography Laylla. She has a great eye for detail and made sure all of shots had great composition.

Props to my man Preech. He made sure all of the sound equipment was working and most importantly sounded great.

I can’t forget our P.A.’s (Production Assistants) Yvette, Patricia, Steven and Wanda. They all worked tirelessly and were equally significant to our production.

I can’t thank my crew enough for the tremendous job they did! They were FANTASTIC!!!

Previous “Takes” on Principal Photography

Principal Photography-Take 1-The Definition
Principal Photography-Take 2-You Can’t Mess With My Crew

Principal Photography-Take 2-You Can’t Mess With My Crew

On August 30, 2008 we had our principal photography.

My day started around 6am. I had to pick up breakfast for my crew and my producer Amy. Here is my crew and basically what they were responsible for:

Producer
Amy Frost
My second set of eyes and ears. She was with me through every step of the production and helped me audition all of the actors. During principal photography she also was on set to help with everything as well as the administrative part of the shoot. She had to make sure EVERYONE signed a release form. Anyone who appeared on camera had to sign a release giving us permission to put him or her in the film.

Director of Photography
Laylla Strand
The DP (Director of Photography) (or Cinematographer) is responsible for achieving artistic and technical decisions related to the image. On a large production (not this one) the rest of the camera department is subordinate to the DP, who, along with the director, has the final word on all decisions related to both lighting and framing.

In other words, she framed all of the shots and made sure everything in the frame of the camera looked right. She was also responsible for where we put the camera to get the best shot of not only the actors, but also what is in the background of the scene. Even when I was behind the camera she was behind the monitor to let me know if everything looked right.

Assistant Director
Jack Sherman
An assistant director (AD) is a person who helps the director in the making of a movie or television show. Jack's duties as an AD was, tracking our daily progress, arranging logistics, maintaining order on the set among other things as well as shooting some footage with our second camera.

Key Grip/Boom Operator
Torrance "Preech" Hopson
As Key Grip Preech helped with pretty much any technical aspect including help setting up the lights as well as the monitor. The principal responsibility of the boom operator is microphone placement, sometimes using a "fishpole" with a microphone attached to the end and sometimes, when the situation permits, using a "boom" (often a "fisher boom") which is a special piece of equipment that the operator stands on and that allows precise control of the microphone at a much greater distance away from the actors. He or she will also place wireless microphones on actors when it is necessary.

We didn't place wireless mics on any actor's but the kitchen scene was so small we just need to place them on the set and out of sight of the camera. The boom operator must decide where to place the boom microphone based on a combination of factors, including the location and projection of any dialogue, the frame position of the camera, and any unwanted noise sources.

Production Assistants
Yvette Moore
Patricia Cooper
Steven Cooper
Wanda Campbell
A Production Assistant, also known as a PA, is an entry-level job title used in filmmaking and television for a person responsible for various aspects of a production. The job of a PA can vary greatly depending on the budget and specific requirements of a production as well as whether or not the production is unionized.(Which our was not.)

PAs work on the physical set of the production, whether on location or on a sound stage. They report to the Assistant Director (AD) department and key set PA if one is so designated. Duties include pretty much ANY tasks as mandated by the AD.

On our film the PAs did everything from operate the slate (pictured at the top of this entry), stop traffic while we were shooting a scene on the street, taking pictures as well as moving stuff out of the shot. PAs usually work 12- to 16-hour days and are regularly the "first to arrive and the last to leave".


So that's technical whos and whats NEXT will be the props. Not set props, but MY props 2 my crew.

Previous “Takes” on Principal Photography
Principal Photography-Take 1-The Definition

Principal Photography-Take 1-The Definition

Let’s start with exactly what the heck “principal photography” is.

Principal photography is the phase of film production in which the movie is actually shot. It’s called “principal” not only because it is the most imortant element, it’s when the majority of the film is shot. Lots of times after most of the film is shot, during or even after editing, the film may need additional scenes to further convey the story. Some times “test audiences” don’t like the ending of the film and they go back and reshoot the ending. That will NOT be happening on The Part.

Even though we may shoot additional material, there won’t be any test audiences. Whatever I think is the best representation of the film is will be final. I plan on enjoying my “final word” while I can. All filmmakers hope to be successful, but with that success comes many other elements. You no longer have that total control of your films and have to answer to studios, producers and such. So until that time this film is not to be altered or undone!

Next Time: Meet the crew!

You can read about Pre-Production in the below entries:
Pre-Production-Scene 1
Pre-Production-Scene 2: Proverbs 10:7
Pre-Production-Scene 3: Leap of Faith: The Andrea Ross Story
Pre-Production-Scene 4: Pernicious Precipitation, The Final Scene

Pre-Production-Scene 4: Pernicious Precipitation, The Final Scene

This is not about the final scene of the movie, but it is the final “scene” of my Pre-Production blog entries. That “Pernicious Precipitation” is what this entry is about.

It hadn’t rained in Baltimore in about six weeks, but lo and behold August 29th, the day before principal photography, it poured down. This was the first time I ever checked the weather online that frequently. My Aunt Gwen, whose home we were shooting at, called me around the 27th because of the rain forecast to ask me if we were still going ahead. I said “yes”. I had actor’s coming from out of town and I was determined to shoot on August 30th. Was I going to try and film a cookout scene in the rain? Of course not, but I was going to film. Rain or shine we WERE going to film the kitchen scene! Three of my four main cast were in that scene and we were going to film it.

I kept checking the weather because if it didn’t stop raining I was going to tell the rest of the cast NOT to come. August 29th was a Friday. It rained Friday morning, it rained Friday afternoon. Even when I got off of work and had to pick up the equipment, it was still raining. As soon as I got home I went online to check on the weather. The forecast called for partly sunny until about 4pm. That would give us enough time to shoot everything. When I called my Aunt that rainy Friday night to make final arrangements she asked me again if we were going to shoot and again I said “yes”. Just like situation I spoke of in Leap of Faith: The Andrea Ross Story I had to pray and have faith that things would be ok.

Saturday, August 30th the sky was cloudy, by the time we commenced shooting it was not partly, but completely sunny. God is good (all the time). The sun stayed out the whole shoot and about a hour after we finished shooting a thunderstorm poured down. Again, a true a testament to God and his power.

So that’s it. Everything (well mostly everything) I had to go through to get to principal photography. If you have more questions you can always email me at Dankwa@NotherBrother.com.

Is that all I have to say about our production? Of course not. I have to talk about my wonderful crew.


Previous “scenes” of Pre-Production:
Pre-Production-Scene 1
Pre-Production-Scene 2: Proverbs 10:7
Pre-Production-Scene 3: Leap of Faith: The Andrea Ross Story

Director’s Cut-Edit 4:In the Still of the Byte

Forgive the bad pun, but it came to me in a dream, well more like when I woke up. Does that count as a “vision”? Let me explain myself. What I’m bringing you in this post is photo “stills” from The Part via computer in the form of (mega) “bytes”. See it all makes sense. :/ They say if you have to explain a joke (or pun as it were) then it’s not funny. :( That very well may be true, but I had to explain the method to my madness anyway.

I woke up thinking about this blog entry because I was supposed to post these stills last night, but was too tired. After watching a late overtime Monday night football game (Baltimore Ravens, they lost), I had to go to work the next morning and then edited again last night after work. After all that, I just went to bed. I wanted to post the stills because I’m just as excited to show them as I am for the cast to see them. These are actual stills from our film (as opposed to photos from the actual shoot).

Monday and Tuesday Gino and I worked on the “kitchen scene” pictured in the stills. The last scene is from the “reveal scene” I spoke about here. I’ll try to post more stills in the future. Enjoy :)

Previous editing blog entries:
Director's Cut
Director’s Cut-Edit 2
Director's Cut-Edit 3:Meet the EIC

Director's Cut-Edit 3:Meet the EIC

Since I wanted you all to know who this infamous Gino I keep refferring to here he is, the EIC-Editor in charge, my pinoy brother Gino.















I almost had to fire Gino tonight though. :/ Gino recommended, make that insisted that, he have some snacks while he edit. “We need some snacks man”. Well while he edit changed to before he edit. He loaded up on salsa and tortillas and then caught “the itis”. For the uninitiated “the itis” is slang for the general feeling of lethargy and well-being experienced after eating a satisfying meal. In other words he got sleepy.

He didn’t sleep, but he was lethargic. I was almost about to get my Donald Trump on (you’re fired!) when he snapped out of it. See I got the snacks because I know what a long process editing is. In college I spent upwards of 14 hours editing a 3-minute piece. I was just kidding about firing him. How can you fire someone who’s willing to work for snacks? Suffice it to say though he WON’T be getting any snacks before editing again though LOL.

For real though Gino is the EIC because he is an excellent editor. “The editor is the one who ultimately creates the production......The editor has to analyze the given material and make intellectual and aesthetic decisions that will result in the finished work." 1

The person who performs editing (in consultation with the director) on a movie in my opinion is one of the most important people on a film. We could shoot film all day and night and it won't mean a damn thing if it isn't edited together into a coherent piece. So for now I guess I’m gonna have to stick with Gino…


at least until this film is finished. LOL.

You can see a piece Gino edited in the official ‘Nother Brother Entertainment blog post Here's to the Heroes

1 The third eye: critical literacy and higher order thinking skills are improved through a film studies class; Journal of Adolescent & Adult Literacy, Nov 2002 v46 i3 p220(11)

Previous editing blog entries:
Director's Cut
Director’s Cut-Edit 2

The Part-The photos

We finally have our photos up for view. I must give MAJOR props to Yvette and Joy for taking the pictures. The photos are displayed in pretty much the same order in which they were taken throughout the production. I will caption EVERY photo...eventually, but for now without further adieu...

You can see a bigger version of the slide show by clicking the camera below :-)